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  • The club's major achievement was in their inaugural season during the league's playoffs, having won the league's division final, and runners-up in Soccer Bowl '75 losing to the Tampa Bay Rowdies in the championship match.

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    Portland had established and was a charter club in the Western Soccer Alliance League and competed until folding in There would be no soccer club in the city untilwhen the USL Timbers was founded and competed in Division 2 soccer in USL pro till the club ceased operations in The USL pro club finished with the best record in the league in both the and regular seasons.

    United for defender Rodney Wallace. In the Lamar Hunt U. Open Cup tournament, the club reached the semifinals, where they were eliminated by Real Salt Lake. The Timbers also earned their first MLS playoff appearance in franchise history. They defeated their archrival Seattle Sounders FC in the conference semifinals 5—3 on aggregate. The Timbers were eliminated in the conference finals, again losing to Real Salt Lake in a two—game aggregate series 5—2 aggregate.

    They struggled defensively in the beginning of the season with a 1—3—6 W-L-D record over the first ten games. They were able to mount a comeback late in the season, still having a chance on the final weekend to appear in the MLS playoffs but ultimately failing to qualify. They were eliminated in the group stage on away goals. They would eventually return later in the season. The US Open Cup pitted Portland against arch-rival Seattle in the fourth round of the tournament, where they would eliminate the Sounders 3—1 in overtime, Seattle finished the match with only seven men after three players which including Clint Dempsey were given red cards, and Obafemi Martins leaving due to a groin injury.

    Portland would be defeated by Real Salt Lake in the fifth round. In a highly competitive Western Conference, the Timbers once again qualified for the MLS Playoffs, finishing strong in the final matches of the regular season which included a 5—2 win against LA Galaxy.

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    Portland played against Sporting Kansas City in the MLS playoffs' Knockout round that went to penalties after Sporting's Kevin Ellis scored a late tying goal in the final minutes of regulation ending in 1—1.

    Maxi Urruti scored late in overtime tying 2—2 after Sporting had the lead from a goal from Kristen Nemeth in the 97th minute. Kwarasey scored the winning goal and made the winning save in the suspenseful penalties. Despite conceding a goal from Columbus striker Kei Kamarathe Portland Timbers held on to win their first MLS Cup and in doing so became the first team in the Cascadia rivalry to win the championship.

    For the Timbers' campaign as defending champions, the season began with a win in a rematch against Columbus Crew SC.

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    Portland's season in overall was described by Head Coach Caleb Porter as "A tale of two seasons. The Timbers did not win a single match away from Providence Park in the season, finishing with a road record of 0—11—6 away from home and 44 points overall.

    Nat Borchers, who was injured inwas not offered a new contract with the Timbers, and ultimately the veteran defender decided to retire. In the second half of the season, midfielder Valeri scored in nine consecutive games, setting a new MLS record. United at Providence Park. The primary reference to the original crest is the circular shape that represents unity, wholeness, and the pursuit of perfection.

    The axe pays homage to the Pacific Northwest 's logging industry, as loggers traditionally used axes to cut down trees. There are three chevrons organized to resemble a pine tree that refer to the Timbers' membership in three separate leagues: The team's colors, ponderosa green and moss green, represent the state of Oregon's forests. Each of the pictured bottles has a relatively short description and explanation including estimated dates or date ranges for that type bottle and links to other view pictures of the bottle.

    Additional links to images of similar bottles are also frequently included. The array of references used to support the conclusions and estimates found here - including the listed dating ranges - are noted. Additional information and estimates are based on the empirical observations of the author over 50 years of experience; this is often but not always noted.

    Various terminology is used in the descriptions that may be unfamiliar if you have not studied other pages on this site. If a term is unfamiliar, first check the Bottle Glossary page for an explanation or definition.

    As an alternative, one can do a search of this website. Figured Flasks Figured flasks is a generic name for the large class of liquor flasks primarily produced between and Due to their esthetic and decorative nature, these flasks were infrequently discarded unless broken so many survived to the present day.

    Figured flasks also include c alabash bottles example belowwhich are covered separately here because of their distinctive shape, and some flasks that fit the form description but are just embossed with lettering, i. Unlike most other types of liquor bottles which are generally more common without embossing, figured flasks are by definition embossed since the embossed motifs and molded designs are what defines them as figured flasks, though many shapes are also unique to this group e.

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    Unembossed flasks with shapes similar to some of the later s primarily figured flasks are considered generically in the "Flask not considered figured " category. The figured flasks described here represent a small cross-section of the hundreds of different types made during their heyday. These type items are occasionally found on historic archaeological sites though usually as fragments since they were not usually discarded until broken.

    This book is the source of information on figured flasks and contains by far the most comprehensive listing with illustrations and is the accepted classification system for figured flasks. Here the authors divide figured flasks into 9 distinct "Form Groups" and includes dating ranges for when that form group was first produced. The book also covers most other types of 18th and 19th century American bottles and is an almost mandatory reference for serious students of American made bottles of the 18th and 19th century.

    Because of the beauty - and possibly the intrinsic value - of figured flasks, many have been reproduced at various times during the 20th century. Some of these reproductions are very hard to discern from originals to the inexperienced eye. The bottles pictured in this section are all early to midth century originals.

    Decorative flasks The decorative group of flasks is a category of "pictorial" flasks made up of four primary types: The figured flask pictured to the left and the colorful group of five to the upper right is commonly referred to by collectors as a scroll flask, though in the early days of collecting and probably even now they were referred to as "violin" flasks. What 19th century glass makers called these is lost to history.

    This style of flask was introduced around and were extremely popular through the s and s. Popularity apparently waned by the beginning of the Civil War early s and it appears that very few if any were made after that time.

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    Most scroll flasks were likely made by Midwestern glassmakers, though most do not have makers marks to allow for precise attribution. Scroll flasks were primarily made in half-pint, pint most common size by farand quart sizes, though smaller and larger examples are known, including a gallon size. Scroll flasks almost always have some type of pontil scar, i.

    The range of colors possible in these flasks is almost unlimited, though they were by most commonly made in shades of aquamarine - like the example above. Finishes found on these flasks included primarily the following: The aqua scroll flask pictured above is very typical in design and likely dates from the late s or s. Click on the following links for more images of this pint scroll flask from different views: To the right is pictured a very similar pint scroll flask GIX in an unusual yellow green color with a cracked-off and non-refired finish; click thumbnail image to enlarge.

    Click quart scroll flask to view a picture of a quart sized scroll flask with a double-ring finish. This quart scroll also has an iron pontil scar, is classified as GIX-1 or 2, and likely dates from the mid to late s. A colorful grouping of five scroll flasks dating from the late s to late s is also shown at the top of this section above. Another very popular style of early figured flask is referred to as the "sunburst" flask, which encompasses various types based on the molded design on the body.

    Sunburst flasks are among some of the oldest of the figured flasks dating as early as to and as late as the s for a few. Most are believed to have been primarily made by various New England glass works.

    Sunburst flasks were made in only pint and half-pint sizes. They all have pontil scars - either glass-tipped or blowpipe types - indicating early manufacture. Colors can vary somewhat widely, though the large majority are in shades of olive green and olive amber, various other true greens, shades of amber, and aqua.

    Finishes are typically straight sheared or cracked-off or subtle variations like the rolled, flare, or globular flare typically with with obvious re-firing; and occasionally with hard to classify variations of the double ring, mineral, or others. For more information on sunburst flasks check out the following external link: Click on the following links for more pictures of this flask: As an example of how a given type of bottle can be used or re-used for a non-type typical product, click on the following links: This shows an example of this same type sunburst flask that was used or more likely re-used for "SPTS.

    Spirits of camphor was historically used internally an expectorant and still is used externally muscle aches and pains though is now considered to be a more or less hazardous substance if ingested. It is definitely not a liquor though it has "spirits" in the name. The pint, clear green sunburst flask pictured to the right is an earlier product of same Keene, NH.

    These flasks are often called "two pounders" by collectors as they are almost decanter-like with heavy glass weighing between 2 and 3 pounds. Click the following links to view more pictures of this flask: Some of these flasks have an eagle design instead of the urn on the reverse, but are otherwise very similar.

    The symbols of the cornucopia and urn were easily recognized during the time as symbolic of the young country's U. Cornucopia flasks were made in only the pint and half-pint sizes. These flasks seem to all have pontil scars - typically either a glass-tipped or blowpipe pontil - reflecting their early manufacturing dates; iron pontils are unusual.

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    Colors are once again variable but dominated by olive green, olive amber, other shades of amber and green, and aqua. Finishes are almost always a of the straight sheared or cracked-off varieties or subtle variations like the rolled, flare, or globular flare typically with with obvious re-firing.

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    The pictured flask both sides shown - cornucopia side to above left; urn to right is a product of Coventry Glass Works, Coventry, CT. These flasks are very rare, very early s or early sunusual, and unlikely to be encountered. Thus they are not covered. Users can also find some information on these type flasks, including pictures, at the following link: These could also be considered as "historical" flasks by some Munsey Most Masonic flasks have some type of design on the reverse that features an American eagle.

    These types of flasks are some of the earlier of the figured flasks dating primarily between and the s though a few date as late as the Civil War. One of the later type Masonic flasks is covered in the calabash section. These earlier Masonic flasks were only made in pint and less frequently, half-pint sizes. Like most figured flasks, the Masonic flasks can be found in a wide range of colors though most were produced in different shades of aqua, amber, and green olive green, blue-green, olive amber.

    All of these earlier Masonic flasks are pontil scarred, usually of the glass-tipped or blowpipe type.

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